Yura Yura Teikoku No Shibire Rar

Yura Yura Teikoku No Shibire Rar Reader
Yura Yura Teikoku No Shibire Rar Torrent
Yura Yura Teikoku No Shibire Rare
Yura Yura Teikoku No Shibire Rar Download

(Redirected from ゆらゆら帝国)

Yura Yura Teikoku No Shibire Rar Here you can download yura yura teikoku live Shared files found Uploaded on TraDownload and all major free file sharing websites like 4shared.com, uploaded.to, mediafire.com and many others.
Apr 23, 2018 Download yura yura teikoku are you ra free shared files. Yura-Yura Teikoku No Memai.zip Yura Yura Teikoku No Shibire.zip yura yura teikoku utsukushii.rar Yura Yura Teikoku No Shibire. Meldaproduction Mtotalbundle V8.10-R2R. Rar Yura yura Teikoku LIVE (1995).zip Yura Yura Teikoku Viewsic Live (160 kbps).rar from all world's most popular shared.

Background information
Origin	Tokyo, Japan
Genres	Psychedelic rock
Years active	1989–2010
Labels	Sony Music Entertainment DFA Records Mesh-Key Records
Website	http://www.yurayurateikoku.com/
Members	Shintaro Sakamoto (vocals, guitar) Chiyo Kamekawa (bass) Ichiro Shibata (drums)

Yura Yura Teikoku (ゆらゆら帝国) (literally 'The Wobbling Empire') is a 3-piece band from Tokyo's underground music scene centered in Kōenji. They have an eclectic sound usually described as psychedelic rock. Whilst they have been renowned and highly influential within Japan, it took them 16 years since their formation in 1989 to play a show outside Japan, performing in New York City in 2005.

Yura Yura Teikoku No Shibire Rar. 9/10/2018 0 Comments. Yura Yura Teikoku no Shibire Album 1. Harapeko no Gaki no Uta. 0 Comments Leave a Reply.

History[edit]

YURA YURA TEIKOKU was formed in 1989 with drummer Atsushi Yoshida and vocalist/guitarist Shintaro Sakamoto as leader, bassist Chiyo Kamekawa and a succession of other members. Drummer Ichiro Shibata joined in 1997 to form the current lineup, and the trio soon signed with Midi Records. The band released five studio albums, one live recording album and two greatest hits albums on Midi.

In 2005, YURA YURA TEIKOKU signed with Sony Japan and released their ninth studio album, 'SWEET SPOT', and a remix 12-inch,“SOFT DEATH / FRANKIE TEARDROP' (Suicide cover). “SOFT DEATH' was embraced by the dance community, and 'SWEET SPOT' was elected one of the best albums of the year in various media in Japan and overseas. The band also released a live album of material from their Midi years titled 'na.ma.shi.bi.re.na.ma.me.ma.i' on New York-based Mesh-Key Records.

In October of the same year, Mesh-Key Records organized two shows for the band in New York (their first shows ever outside Japan), and was welcomed with rave reviews by the local media. New and old fans alike packed into the venues to see the band's one-of-a-kind performance.

In June, 2006, the CD single “Into The Next Night” and remix 12-inch“Into The Next Night / You Can't Fight Fate”were released. In July, Mesh-Key Records released the 12-inch“SOFT DEATH / IT WAS A ROBOT' and brought the band back for a second batch of New York shows, which were even more packed than the first. The 'SOFT DEATH' 12-inch has been championed by such deejays as Rub'N Tug and DJ Harvey.

In 2006, the band headlined at various major festivals in Japan and Taiwan. In May 2007, Mesh-Key Records released the US version of 'SWEET SPOT.' In the same year, YURA YURA TEIKOKU went on their first Australian tour.

In July 2007, they released the single “Beautiful' and in fall 2007 they released their first studio album in two and a half years, 'Hollow Me.' DFA Records combined Beautiful and Hollow Me for a full-length CD release in November 2009.

As of March 31, 2010, according to the band's official website, after 21 years playing together the band has amicably broken up citing a loss of excitement. Each member plans to continue playing music in other projects in the future.

Shintaro Sakamoto started his own record label, 'zelone records', and released his first solo single, 'In A Phantom Mood', on October 7, 2011. He has since released two acclaimed solo albums.

Related notes: Vocalist Shintaro Sakamoto, who designs all the band's artwork, published his first illustration/artwork anthology, 'SHINTARO SAKAMOTO ARTWORKS 1994-2006' (Shogakukan) in July 2007. Bassist Chiyo Kamekawa has been a member of The Stars, led by producer You Ishihara (ex-White Heaven) since 1999. They have released three studio albums.

Members[edit]

Shintaro Sakamoto and Ichiro Shibata

Shintaro Sakamoto (坂本慎太郎) – vocals, guitar
Chiyo Kamekawa (亀川千代) – bass guitar
Ichiro Shibata (柴田一郎) – drums

Discography[edit]

Albums[edit]

(1992) — Yura Yura Teikoku
(1994) — Yura Yura Teikoku II
(1995) — Live
(1996) — Are You Ra?
(1998) — 3ｘ3ｘ3
(1999) — Me no Car
(2001) — III
(2003) — Yura Yura Teikoku no Memai
(2003) — Yura Yura Teikoku no Shibire
(2003) — na.ma.shi.bi.re.na.ma.me.ma.i
(2005) — Sweet Spot
(2007) — Hollow Me/Beautiful

Singles[edit]

(1998) — Hakkoutai
(1999) — Zukku Ni Rock
(2006) — Into The Next Night
(2010) — Dekinai

EP[edit]

(1998) — Hakkoutai / Itazurakozou
(1999) — Taiyou No Shiroi Kona
(2006) — Soft Death / It Was A Robot
(2007) — Beautiful

External links[edit]

Wikimedia Commons has media related to Yura Yura Teikoku.

Retrieved from 'https://en.wikipedia.org/w/index.php?title=Yura_Yura_Teikoku&oldid=974897975'

Raw electrifyingriffs, intense melodic bass loops, flashy sonic sounds, deep electronic beats andbeguiling pop tunes; the reincarnation of the dying modern youth, an elegy to theboogying guitars of a zombified Sonics,cracked on Suicide and devouring theflesh of Can; this is Yura YuraTeikoku (ゆらゆら帝国)!!

It took 16 yearfor this Tokyo underground three-piece set, formed in 1989, to finally meetsome attention overseas. With the success of their 2005 album Sweet Spot (forMesh-Key records), the band ventured to New York for a few minor concerts provingthe American audience that they could beat the carcass of any dead rock starlegend with their electric riffing strains and psychedelic refrains. Howeverwhat they [the audience] were listening to they had no idea. Sometimes the Japanesegroup seemed to fall into a noise oriented post-rock constant of some sort ofnipponic Sonic Youth. Other times the electronics soared higher reaching the voltaicsound of Stereolab. In further occasions the psychedelism of krautrock filled in; but in all, reminiscences of alater Link Wray and art-punk Television (sometimes even high beats of Led Zeppelin)drew their power in the background.

But on theircreation, Yura Yura Teikoku had a very different composition. Their early stage performances -long hair, no shirt, shaking heads – evoke a nostalgic feelingfor an old 70’s Japanese garage show where Shinki Chen would happily allowhimself to trash some psychedelic melodic lo-fi garage punk-rock [in anotherdimension]. Consisting of three guitars and one drum case, the Japanese bandtranspired hefty vibes of unpretentious garage rock (their more experimentalworks would only come a few years later). Characterized by the heavy plodding drumsof Onsen Shimoda, the dissonant screaming lo-fi voice of guitarist/vocalistShintaro Sakamoto (坂本慎太郎) and biting dancing riffs, the sound that arises is raw andstinging.

With time howeverthe songs would become more poppy and structured (even though the raw roots wouldalways remain in their sound). The last album with Onsen Shimoda, Are you Ra? (1996), already lights the path the band would follow in the futureperiod. However only with the entrance of drummer Ichiro Shibata (柴田一郎) would the group take a more definedroute to their music. In 1997 the band’s arrangement changed to a fixed threeset with Shintaro Sakamoto on vocals and guitar, Chiyo Kamekawa (亀川千代) as bassist and Ichiro Shibata on thedrums. The first albums recorded under this configuration resulted in an epictrilogy for the Midi label (3x3x3, Me noCar, Yura Yura Teikoku III). Here the recordings seem to have found consistencyin jamming psychedelic pop tunes, catchy and danceable sonorous flows; a psychedelic triumph.

Now evolved to apop dream of slack sweaters and tight jeans, the Japanese trio opened the doorsto greater experimental desire. After the groovy Yura Yura Teikoku III, the band released two new albums (Yura Yura Teikoku No Shibire and Yura Yura Treikoku No Memai) in the sameyear. This time the recording counted with the collaboration of other “guest”musicians who joined the sessions to take the trio sound even further; keyboards,organs and beat synthesizers were added to the psychedelic rocking trendmaking it flow on even more progressive sources. The sound is not comparable tothe previous releases as it approaches much more than before the boundaries ofelectronic ambiance. A feature that seems to cling and is taken along intotheir last two albums (Sweet Spot andKudo Deso).

Trying to choosea single album against all others is an aching task. To pick a record fromtheir first heavy rocking years with Onsen Shimoda, from the epic psychedelicgarage pop trilogy, or from the awesome electronic pop “faces” (No Shibire and No Memai), the gritty live performance of Na.Ma.Shi.Bi.Re.Na.Ma.Me.Ma.I, or the last fiery recordings oftheir career would just be the same as choosing a mental state, a mood overother and that's sacrilegious; YYT’s sound behaves like a mutant monster,altering shapes and currents of melodic programs; of acid rushing the bloodtunnels tripping from a soft cradle of Japanese pop to a dancing cube of redneon guitars; a pop-punk garage rockin’ revival (however I will post a nice compilationfrom the years of 1998-2004, so that a taste can be given).

official website